What is the function of function when the purpose is not burdened with pursuing a discrete manifestation of production? The chair has the responsibility to make a neutral interface more intensely communicative with the outdoor environment. The consumerist aesthetic is when the stylistic convention becomes reappraised and housed with a making a mainstay of display. The tooling of this project is to enable the user to get an informed absorption of ultra violent light and comprehensive conditioning of beach time ambiance. The chair has a tracking system that emphasizes a direct rotational patterning of the sun’s overhead path. The irreducibility of computing light promoted the Hot Seat as a trademark copyright. The established obsession with registering the body’s perfect tan is a cultural construct. The belief that getting darker allows one to have more beauty is absurdly driven by the macro-polices of belligerent advertising. The chair advances as a massive chimera of iconicity and radio-sity. The chair’s natural ergonomic capacity is universally a controlled robot what breaches a flexible membrane and structural surface. The seating is biased toward allowing the ethereal light to shine through with a touch of fragmented ruins. Design at this scale is has to address a vivid indexing of tactile forming and literal reciprocity. The body knows learns how to frame and paint comfort.